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Good Bye, Hello
9/1/2016


Bye, Stanford studio. You were good to me. 

Hello, Minnesota Street Project Studio. We're going to be tight.

Just want to give a quick update. I’ve said my good byes to grad school and have begun cookin’ a new art life in San Francisco’s Minnesota Street Projects. The studio has always been the heart of my practice which means I’ve been nesting hardcore in my new space. New buildouts, more and more shelving, a hot label maker, LEDs, etc. More to come….

!! SHORT NOTICE !! Opening reception tomorrow, Friday, Aug. 5th at Black Crown Gallery
8/5/2016



Please come to the opening reception of a two-person show with myself, Masako Miyazaki, and Tanja Geis at Black Crown Gallery.
The reception will be from 6-9pm in the Chinatown section of Oakland, California.

——> 814 Alice Street, Oakland, California 94607. 

This event is a coalescence of many exciting elements—the inaugural show of a new gallery space in Oakland, my most recent sculptural work, and the work of Tanja Geis who most recently completed her time at the Headlands Center for the Arts. 

The show will be up until September 10th.
Would love to see you there!
 

Great opening night!
5/30/2016


Thank you, everyone for coming out to the opening reception. Attendance was fantastic! My colleagues and I are proud of what we've put together. We've also proved that a "dark show" can still work, meaning, there were some concerns about the appeal of a dimly lit show. The gallery continues to attract a good number of people walking through during open hours. 

The gallery manager has now had to put a rickety "Please do not touch the art" computer printout signage next to my work as it's been enticing people to palm and handle the sculptures. This is a good and bad thing. I feel good in that the sculptures lure the viewer enough that one wants to touch it, yet the handling freaks me out because the pieces are fragile and I don't have molds of them yet. The idea is to edition each "Temple" after the show is down.

For those who have yet to see the show, please come on over. You must experience the "aura."

Thesis show is finally up and open!
5/23/2016


Come check out the Stanford MFA Thesis Show, "my only heroes are phenomena"! My art children will be on view until June 12th. They are in good company with the rest of my mates' work. You've got 2.5 weeks to see them. DO NOT MISS
Click on the image above to get directions to the show.

The title of the show comes from a lovely H.P. Lovecraft quote.

"Individuals and their fortunes within natural law move me very little. They are all momentary trifles bound from a common nothingness toward another common nothingness. Only the cosmic framework itself — or such individuals as symbolise principles (or defiances of principles) of the cosmic framework -- can gain a deep grip on my imagination and set it to work creating. In other words, the only “heroes” I can write about are phenomena.”

Letter to E. Hoffman Price, August 15, 1934


Graduation Thesis
4/27/2016


There are two parts to completing a thesis at Stanford's MFA Art Practice program. One half is a written thesis and the other is the work. Page number wise it isn't bad at all. I've written longer papers in my first year here but writing about your own work is very difficult.

My first pass at writing the thesis was basically a research paper. I was quoting Marx, Whitehead, Dewey, Benjamin, etc. I packed it with references to other artists and art history. Then, at my first thesis review, I was told that I needed to include more of myself in the writing. In response to this feedback, I proceeded to go through my life's sob story for the next two drafts—not particularly interesting to other people I suspect. Finally, from the fourth draft on I started on the real writing.

Writing about your work requires a certain amount of self-awareness. BUT trying to articulate thoughts while the art is being made is inordinately difficult. How did the thesis work come about? What are its conceptual underpinnings? Is there a logic and if so, what is it?

Such hell, but I came out the other end. Sure enough, I feel much more equipped to talk about my work, especially my most recent work that will be in the thesis show. 

It may sound cheesy but I mindmapped my thesis. I used a small app Delineato Pro for the mapping. It was great to be able to move things around and make new connections. I realized there were contradictions in thought. But because of this finding, I was able to preserve the argument and make a point in addressing it in the thesis.

I had blurb for printing the short book. 
Message to blurb: 1. offer a matte finish option for trade book covers.
2. offer text in colors other than pure black.

Designing the thesis was another rabbit hole I went down. The writing is delirious and I'll probably poke at it for a round 2 after the show goes up. Right now, I'm in full production mode until the 16th.
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